Bettina Landl (b. 1985 in Graz, AT) studied Art History and Philosophy. Transdisciplinary work, phenomenological research, focusing on projects which deal with space, body and text.

 

Between 2013 and 2017 part of artist collective Tortuga (i.a.: Noise Fest, performance, Forum Stadtpark 2016 / MOSTLY LOUD, BUT ALSO QUIET NOISE, TOO, tortuga-zine #2 release and performance, [esc] medien kunst labor 2015) and editor (BILD + KRITIK / @bildundkritik).

 

Publications:

In magazines (i.a.: ApresPerf, artmagazine, Edit, LICHTUNGEN, manuskripte, perspektive, zugetextet), anthologies

(i.a.: wo warn wir? ach ja: Junge österreichische Gegenwartslyrik, R. Prosser / C. Szalay, Limbus Verlag /wasser.spiegel, Edition FZA 2018 / Jahrbuch Steirisches Heimatwerk, Styrian Folk Culture 2016) and in broadcasting.

 

Exhibitions:

I don’t know how to put this but i’m Kind of a Big Deal, installation in cooperation with Alicia Pawelczak, steirischer herbst, 23.9.-15.12.2017 / SONIC BLUE, sound installation in cooperation with Interstellar Records, GrazMuseum, 19.7.-28.8.2017 / She is like the fog or bodies are materialized, artist collective Tortuga, Wetzawinkel (Gleisdorf), 24.5. and Schaumbad (Graz), 25.8.2017 / Thinking on Thresholds. The Politics of Transitive Spaces with works by Iris Andraschek, gallery Eugen Lendl (Graz), 24.9.-25.10.2014 / How in the fuck are you supposed to hit that shit?, young researchers conference “You are in a place of indifference“, lecture, Graz 2015 / Josef Bauer and: To the Matter of the Concrete. Dimensions of language as artistic material, kunsttext.werk LECTURE, Grazer Kunstverein 2013.

 

Prizes:

Wiener Werkstattpreis, 2018

zwischen/miete Stuttgart, Poetry Prize, 2018

 

Residencies:

Artist in residence, Zagreb (HR), April-May 2019

ORTung 2019, Schmiede, Hintersee (AT), January 2019